10. Which structure uses flashbacks and forwards? 11. Why might a playwright choose to tell Oedipus's story with cinematic structure? 12. Who wrote the contextually structured script, The Private Life of the Master Race? 13. To what other types of writing/art does the text compare The Private Life of the Master Race? THE 111 - INTRODUCTION TO THEATRE Chapter 6 Study Guide 14. What's an example of physical action? 15. What's an example of an intellectual action?

Alright, I need to address a series of questions related to theatre and storytelling techniques. Let's tackle them one by one. **10. Which structure uses flashbacks and forwards?** Hmm, I recall that flashbacks and forwards are narrative techniques used to shift the timeline of a story. Flashbacks take the narrative back in time, while forwards might involve jumping ahead. I think this could be related to non-linear storytelling. Maybe it's a narrative structure that doesn't follow a strict chronological order. Perhaps it's something like a "non-linear narrative" or "stream of consciousness." Wait, could it be "stream of consciousness"? No, that's more about the flow of thoughts. Maybe "flashback and forward" is a specific term I'm not recalling. Alternatively, it might be a type of dramatic structure where the narrative shifts in time to create suspense or reveal information. I'm not entirely sure, but I'll keep thinking. **11. Why might a playwright choose to tell Oedipus's story with cinematic structure?** Oedipus's story is a classic tragedy, and cinematic structure likely refers to the way films are structured with scenes, camera angles, and editing. A playwright might choose this structure to enhance the visual and emotional impact of the story. Maybe to make the narrative more engaging or to highlight certain themes. It could also allow for more dynamic staging and movement on stage, making the performance more akin to a film. Additionally, using cinematic techniques might help in conveying complex emotions and actions that are typical in film storytelling. Perhaps it's to modernize the presentation or to appeal to a broader audience accustomed to visual storytelling. **12. Who wrote the contextually structured script, The Private Life of the Master Race?** I'm not familiar with "The Private Life of the Master Race." It might be a less-known play or perhaps a specific work within a particular context. I'll need to check if it's a recognized title in theatre literature. If it's not widely known, it might be a piece from a specific playwright or a less mainstream production. Maybe it's a modern play or part of a specific theatre movement. Without more context, it's challenging to identify the author. **13. To what other types of writing/art does the text compare The Private Life of the Master Race?** Again, I'm not sure about "The Private Life of the Master Race." If it's a specific work, it might be compared to other plays, films, or literary works that explore similar themes or employ similar narrative techniques. For example, if it's a satirical piece, it might be compared to other satirical plays or novels. If it's a drama, it might be compared to other dramas that deal with similar social or political issues. Without knowing the content, it's hard to pinpoint the comparisons. **THE 111 - INTRODUCTION TO THEATRE Chapter 6 Study Guide** **14. What's an example of physical action?** Physical action in theatre refers to actions that can be seen and performed on stage. An example would be a character walking across the stage, sitting down, or performing a dance routine. These actions are tangible and can be observed by the audience, making them a key component of live performances. **15. What's an example of an intellectual action?** Intellectual action involves actions that are more abstract or mental. An example would be a character contemplating a decision, analyzing a situation, or engaging in a thought process. These actions are not visible in the physical sense but are inferred from the character's dialogue and behavior, requiring the audience to use their imagination to understand the character's internal thoughts and motivations.