In your ears my song is motor car misfing stopping with a choting cough, and you laughed and laughed and loughed \( ( \) iteer In your eyes my ante ER lughed at my song, you laughed at my wall. to the rhythm of talking drums pleading. but you shut your eyes aughed and laughed and laughed. And then I opened my mystig a the folel hex inll Seacyote Inside' wide tike the sky, instead you entered your car and laughed and laughed and laughed. You laughed at iny dance, you laughed at my inside. laughter and it froze yo ears froze your eyes and froze your tongue. And now it's my turn to laugh; but my laughter is not (4) 5. Discuss the use and effect of repetition in stanza 3. (2) 6. Refer to lines 11-12 ('Then I ... pleading). (a) Identify the figure of speech used here. (b) Explain the suitability of this figure of speech. (1) (2) 7. Quote ONE word from stanza 4 to show the coloniser's reaction to the pleading of the speaker. 8. Explain why the following statement is FALSE? The colonist can pick up and jespond to humorous situations. (2) 9. Identify and explain the comparison in lines 16-17. (3) 10. Refer to stanza 5. Explain the coloniser's reactinn to the effort of the speaker to communicate with him. (2) 11. Refer to the use of 'inside' in lines 16 and 20. Explain what the speaker refers to. (2) 12. Refer to stanza 7. (a) Identify the figure of speech used in this line. (b) Explain why this figure of speech is relevant to this poem. (c) What is the speaker's state of mind in this stanza? Substantiate your answer.
Upstudy AI Solution
Answer
Solution

Sign in to Unlock Answers for Free!
A Learning Platform Trusted by Millions of Real Students and Teachers.

Answered by UpStudy AI and reviewed by a Professional Tutor
The Deep Dive
Repetition serves as a powerful tool in stanza 3, amplifying the emotional weight of the speaker’s experience. The repetitive phrasing of "laughed" conjures an image of unrelenting mockery, emphasizing both the ridicule faced and the speaker's growing frustration. This relentless cycle reflects how laughter can transform from a source of joy into a force that isolates and diminishes, enhancing the overall theme of alienation. In lines 11-12, the figure of speech is personification, as the "talking drums" seem to plead, bestowing human characteristics upon them. This personification effectively underscores the intensity of the speaker's emotions and the desperation of their call for connection. It brings to life the cultural elements at play, invoking deep-rooted traditions that contrast sharply with the dismissive nature of the colonizer, highlighting the pain of being unheard.